My favourite "violet/silver/turquoise travelling interference pigment on wood construction as it was on the floor in the centre of the gallery. Now moved to the back corner wall for protection. This piece was a true intervention into the spectator's space and hence their relation to the works on the wall, enforcing a degree of closeness and intimacy upon the viewing experience of the more conventionally hung paintings on panel or stretched linen or canvas. At the opening a group of people ended up standing around and over it. Quite appropriate given its title ". . . moreover, when . . ." This piece represents a future direction for my work. In this particular space, when lit by natural light, the most beautiful effects are achieved with the work on the floor, especially in the morning around 10 am when the gallery has just opened.
